A new study of Universe

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    Anonymous
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    Hello All,
    this is my latest study, really fundamental for modern science:

    http://vimeo.com/29603955

    Like You sure know it is scientifically proved that the Universe emits sound because planet’s motion.
    Also, with regard to Solar System only, every planet has a color associated (see
    http://www.astralis.it/astrocol.htm, by Patrice Guinard, especially “Diagramma del circolo Cromatico planetario”)

    I present here a preliminary study of some different interpretations of the sound of Universe.
    Every planet name (in italian, sorry) is interpreted Cabalistically or using ASCII code.
    The audio file presents seven sections each one using different mapping of numbers.
    The piece last 360 seconds, in consideration of the real time of a Pluton orbit (the longer)
    that last exactly 360 (yet the Sumer known about that).

    Please note that this interpretation are all scientifically calculated by really complex formulas becoming
    from well known study by Pitagora, Johannes Kepler, Pietro Goffo Dandino, etc.
    Note also that plutone has a black color associated (see above) and because the universe is black, it is difficult
    to note his movement.

    “The Solar System[a] consists of the Sun and the astronomical objects gravitationally bound in orbit
    around it, all of which formed from the collapse of a giant molecular cloud approximately 4.6 billion
    years ago. Of the many objects that orbit the Sun, most of the mass is contained within eight relatively
    solitary planets[e] whose orbits are almost circular and lie within a nearly flat disc called the ecliptic
    plane. […]
    Nicolaus Copernicus was the first to develop a mathematically predictive heliocentric system. His
    17th-century successors, Galileo Galilei, Johannes Kepler and Isaac Newton, developed an understanding
    of physics that led to the gradual acceptance of the idea that the Earth moves around the Sun and
    that the planets are governed by the same physical laws that governed the Earth.”

    http://en.wikipedia.org/wiki/Solar_System

    “Johannes Kepler (December 27, 1571 – November 15, 1630) was a German mathematician,
    astronomer and astrologer. A key figure in the 17th century scientific revolution, he is best known
    for his eponymous laws of planetary motion, codified by later astronomers, based on his works
    Astronomia nova, Harmonices Mundi, and Epitome of Copernican Astronomy.
    […] he turned his attention to chronology and “harmony,” the numerological relationships among music,
    mathematics and the physical world, and their astrological consequences. By assuming the Earth
    to possess a soul (a property he would later invoke to explain how the sun causes the motion of planets),
    he established a speculative system connecting astrological aspects and astronomical distances to
    weather and other earthly phenomena.”

    http://en.wikipedia.org/wiki/Johannes_Kepler

    “While medieval philosophers spoke metaphorically of the “music of the spheres”, Kepler discovered
    physical harmonies in planetary motion. He found that the difference between the maximum and
    minimum angular speeds of a planet in its orbit approximates a harmonic proportion. For instance,
    the maximum angular speed of the Earth as measured from the Sun varies by a semitone (a ratio of
    16:15), from mi to fa, between aphelion and perihelion. Venus only varies by a tiny 25:24 interval
    (called a diesis in musical terms). Kepler explains the reason for the Earth’s small harmonic range:

    The Earth sings Mi, Fa, Mi: you may infer even from the syllables that in this our home misery and famine hold sway.

    At very rare intervals all of the planets would sing together in “perfect concord”: Kepler proposed
    that this may have happened only once in history, perhaps at the time of creation.”

    http://en.wikipedia.org/wiki/Harmonice_Mundi

    Thanks,
    ciao,
    francesco :>)

    Bibliography:

    Johannes Kepler (1571-1630)
    “Harmonice Mundi”, 1619.

    Gioseffo Zarlino (1517-1590)
    “Institutioni Harmoniche”, 1558.

    Marsilio Ficino (1433-1499)
    “De vita coelitus comparanda”

    Pietro Goffo Dandino (1545-1633)
    “De sonus misticum”, 1599.

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